A new South African website for poetry went up a few months ago called AVBOB POETRY. I wasn’t quite sold to the idea, but in the end I submitted 26 poems (I think) and a handful got accepted. Not sure if that’s a good rate or not, but a foot in the door is better than being completely shut out, right?
The poems had to deal with themes of love, birth, death and hope.
I’m still finding it tricky navigating the site, but my poems are up and free to read.
You have to search by title. So here they are (I can’t give links to each poem, you need to enter the title in the search box):
Window of Days
My Brother Lives on the Other Side
Falling in Reverse
Would You Hate Birds for Crossing Borders?
Song for Liesl
Sometimes free means free. No strings attached. Here’s an early Christmas gift.
Fixional has made available my special trilogy of poems based on Krzystof Kieslowski’s Three Colours Trilogy of films.
While I’m at it, I’d like to thank the editors of the following websites and journals for publishing my work in the past. I have posted links to some of them previously.
Modern Poetry in Translation
Black Friday Sales are being promoted extensively even here in South Africa. If you pause and think, it’s nothing but a way for shops and online retailers to offload old stock before the Christmas rush of new products to entice consumers. But really, they’re just material things you already have, perhaps newer versions with a few new bells and whistles. How soon after the feelgood rush of the purchase will you be made to crave for the next new iteration?
I don’t see the same when it comes to books, good books that aren’t designed to be replaced in a season. Or at least that’s the hope. So forgive my little sales pitch.
If you are outside of the Philippines, please consider ordering my new book, WINGS OF SMOKE, online via the following (or other decent retailers):
The Onslaught Press
The Book Depository
But if you are in Manila, you’re in luck as https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2FUSTPublishingHouse%2Fposts%2F1683897564963264&width=500” target=”_blank” rel=”noopener”>UST Publishing House has a sale of all my books they’ve published. Get all of them at a great discount!
I don’t like talking about myself. I prefer sharing thoughts about other things – literary, or otherwise. You can chat to me about movies, music, the ant climbing up the side of a wall, or just about anything else.
Don’t ask me how to read my writing. Unless we’re in a workshop environment, don’t ask me to explain what I’m trying to say in my writing at all.
But every now and again I get asked to respond to particular questions for an interview that will be made public. I only agree to interviews if I think they would help me find more readers. Please don’t see it as a marketing ploy. I would hate that.
Read the interview, consider giving my work a chance to be discovered by new readers. Tell your friends about the interview. Tell them that you read my blog regularly – or have just discovered it today. I want people to adopt my paper children. They need warm homes.
So… here’s the link to Fixional where my latest interview appears.
Fixional recently published my trilogy of poems that were based on the cinematic masterpiece trilogy by Krzysztof Kieslowski, Three Colors: Blue, White, Red.
Forget me. Read my work. Please. Maraming salamat.
PS – I haven’t read he final version of the interview, was too excited to. If you find typos or errors, please tell me. Fixional used to be NoiseMedium, which awarded my poem “To be an Orc” the Grand Prize last year.
I stare at it like the beginning of a flatline,
that dash next to my year of birth.
Two lines down, a paragraph with nothing
but blurry snapshots of a life
unwillingly summarised for imagined readers,
strangers, for posterity.
Then that uncontrollable laughter kicks in.
It is shrill, like the wailing of an ambulance,
and drowns out all dramatic gestures
I have conjured for myself
on that page. Delusions of grandeur
stripped naked on a stretcher.
Sometimes oneself can be the cruelest critic,
the first to hold the blade
against such tender skin.
(from Alien to Any Skin, UST Publishing House, Manila 2011)
This poem came to mind when a good friend, SA poet Raphael d’Abdon shared his bionote poem with his friends on Facebook. I hope I haven’t posted this before here. The book where this poem first appeared, Alien to Any Skin, was published around August six years ago (if memory serves me right).
I’ll be participating on a panel discussion at the Franschhoek Literary Festival this Friday, 1430-1530, with highly respected poet Antjie Krog. We will be interviewed by Sue de Groot of the Sunday Times.
Here is a LINK TO THE PROGRAMME. The main website of FLF2017 has links to author profiles as well.
Wish me luck. Not sure I’ll know anyone there. Or them me. Haha.
Fellow Onslaught Press author and amazing poet Rethabile Masilo, winner of the Glenna Luschei Prize for African Poetry, invited me to send work for consideration at Canopic Jar, an arts journal. I was delighted, but could only hope the other editors of the online journal would like my work. It turns out they did!
On Friday, 12 May 2017, Rethabile tagged me on Facebook to say that my work is on the “Featured Voices” section of Canopic Jar. But I couldn’t get online to post and share the news until now.
HERE is the LINK to Canopic Jar. Hope you enjoy and share the page with your friends, or anyone who you think might like such poetry.
Thank you, Rethabile! More power to Canopic Jar!
If you have the budget, dear reader, please consider buying my new book, Wings of Smoke! And for those who are in the Philippines, my most recent books published by the University of Santo Tomas Publishing House are still available and can be ordered through the USTPH Facebook page.
photo of Mule feces from wikimedia
Zuma a Day Before April Fool’s
A snake may have no ears,
but it doesn’t mean it is deaf. Under that
scaly head, attached to its jaws,
is something akin to hearing. It snares
vibrations and low frequencies in the air.
Having no legs, it moves swifter
than we expect, drawing fear
beyond reason. A man is no snake.
To compare one with the other
is far from fair. Worse
for the one who cannot protest
a single injustice, who prefers
to crawl away from harm.
But this man, chosen by those
we trust, he makes a fool of us,
coiling in laughter as people
are struck before him, laughter
resonant as a tree hollowed out
by termites. Surely the ancestors
can see and hear the way he slithers?
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